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叶天眉头一皱正要拒绝不过一旁的长乐公主也说话了Kaufman fused these influences into an improvisatory, impressionistic, candid poetics. His verse was largely composed on the tongue and recited in the moment, often in public spaces such as cafes and streets. Ken Kesey, author of One Flew Over the Cuckoo’s Nest, recalled first seeing Kaufman when the poet stuck his face, covered in bandages, through the open windows of tourists’ cars and started babbling his poetry.